Written by Emily Salja; copy edited by Meagan Kus

When we think about editing poetry, we first have to think about what poetry is. This is something that poets and critics have debated for decades—what is poetry?

All writing, to an extent, comes from the heart—creative writing in particular—and poetry is one of those strange, elusive creatures that is stitched together mostly by heartstrings. Poetry is the least efficient way of conveying a message. It is the language of trauma and inarticulable feelings. In poetry, we write around things instead of at them. How do we edit something so personal?

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