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Getting to Know Your Editors BC Board for 2021–2022

Written by David Marsh; copy edited by Janis Cleugh

With Editors BC’s new season getting underway this month, West Coast Editor felt now would be a good time to help members learn a bit more about their new executive for 2021–2022.

We’ve asked each member of the executive to describe their role in keeping Editors BC flourishing. We also asked them to pick two more questions on a variety of topics.

Here they are:

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PubPro 2016: Event Recap and Session Summaries (Part 1)

PubPro2016_scheduleIntroduction by Iva Cheung, PubPro facilitator

The fourth annual PubPro unconference for managing editors and publication production professionals welcomed participants from across Canada and the U.S., as it was, for the first time, offered as a workshop immediately before the Editors Canada national conference. Although not as many attendees came prepared with talks, all participants came prepared to talk, many of them stepping up to lead discussions on different aspects of publication project management. PubPro volunteers Connie Behl, Ellen Michelle Koehler, and Yvonne Robertson took notes and have summarized the sessions. Continue reading

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PubPro 2015: Session Summaries (Part 2)

On April 25, EAC-BC co-hosted PubPro 2015, an unconference for managing editors and publication production specialists. We previously featured a recap of the event and part 1 of the session summaries. Part 2 of the session summaries follows.

Written by Amy Haagsma; copy edited by Meagan Kus

Change management: A guided discussion led by Chantal Moore

Chantal Moore is communications manager at the BC Council for International Education, a Crown corporation that facilitates international student exchanges. She was interested in discussing best practices for managing change.

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Event Review: Transcription, Captioning, and Subtitling: An Introduction for Editors

Written by Amy Haagsma; copy edited by Karen Barry

Recap of EAC-BC’s branch meeting on April 15, 2015.

Last month, Kelly Maxwell spoke to EAC members and guests about the fascinating world of transcription, captioning, and subtitling. Kelly is co-owner and co-founder of Vancouver-based Line 21 Media Services, which provides services to the television and film industry. Line 21 works primarily with post-production coordinators, who shepherd television shows and movies through editing, colour correction, and distribution.

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Event Review: Writers on Editors: An Evening of Eavesdropping

Written by Amy Haagsma; copy edited by Meagan Kus

Recap of EAC-BC’s branch meeting on March 18, 2015.

On March 18, EAC-BC hosted authors Margo Bates and Daniel Francis for a panel discussion about working with editors. Jenny Lee, a writer, editor, and digital journalist with the Vancouver Sun, moderated, adding details of her own experience and encouraging questions from the audience.

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Event Review: Getting the Message Across: Clear Writing Tips with Frances Peck

Written by Amy Haagsma; copy edited by Karen Barry

Review of seminar Getting the Message Across: Clear Writing Tips with Frances Peck (offered by EAC-BC on March 19, 2015).

Frances Peck is a writer, Honorary Certified Professional Editor, and long-time EAC member and volunteer. She has taught at the University of Ottawa, Douglas College, SFU, and UBC; presented seminars for EAC branches across Canada; and delivered training for a number of government and private-sector organizations.

One of Frances’ specialties is editing and rewriting for clarity, making her the perfect choice to teach EAC-BC’s recent half-day seminar, Getting the Message Across: Clear Writing Tips. The seminar focused on techniques to improve clarity in workplace and public documents to better communicate the intended message.

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Event Review: Eight-Step Editing

Written by Amy Haagsma; copy edited by Joanne King

Review of seminar Eight-Step Editing with Jim Taylor (offered by EAC-BC on February 21, 2015).

Jim Taylor has been a writer and editor since 1958. In 1971, he began teaching editing to business executives, using many of the concepts that would later become Eight-Step Editing. A casual mention of his process caught the attention of his EAC colleagues, and he was encouraged to develop it into a seminar. Jim confessed that, when first asked about the steps he used, he didn’t have a number in mind but surmised that it must be “about eight.”

In the spring of 1984, Jim officially rolled out Eight-Step Editing for EAC. Over the years, his seminar has achieved an almost-legendary status. Although Jim retired in 2007, he has graciously taught the seminar for EAC-BC a number of times since then.

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Event Review: Building a Successful Editing Business

Written by Amy Haagsma; copy edited by Meagan Kus

Review of seminar Building a Successful Editing Business with Peter Moskos (offered by EAC-BC on January 24, 2015).

I was excited to see the topic for EAC-BC’s January seminar: Building a Successful Editing Business. The timing couldn’t be better—as a newish editor who is just venturing into freelancing, I really needed some advice in this area!

The seminar was led by Peter Moskos, a fixture within EAC and a member for 26 years. Now retired, he previously co-founded the highly successful Gordon Writing Group and was the company’s managing partner from 1995 to 2004.

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June 12–14, 2015: Conference 2015—Editing Goes Global

What: EAC annual conference
When: June 12–14, 2015
Where: Metro Toronto Convention Centre, 255 Front Street West, Toronto | map

Compiled by Amy Haagsma; copy edited by Meagan Kus

EAC’s annual conference features industry speakers, professional development sessions, networking opportunities, an awards banquet, and more. This year’s conference will be held June 12­–14, 2015, at the Metro Toronto Convention Centre. Greg Ioannou is the conference chair.

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Event Review: Editing for the Ear

Written by Amy Haagsma; copy edited by Karen Barry

Recap of EAC-BC’s branch meeting on January 21, 2015.

To kick off 2015, EAC-BC hosted Colin Moorhouse at our branch meeting on January 21. Colin is a Vancouver-based speech writer; he also offers presentation training and speech-writing courses. He’s found it to be an interesting niche, as he gets to share in his clients’ passions and learn about a lot of different things.

Colin explained that one of the key considerations when writing a speech is that the end product will be read aloud. Therefore, a good speech writer must appeal to the ear rather than to the eye. Rhythm, pacing, and metre are very important, as is using a colloquial tone and plain language. Speeches also convey emotion more directly than the written word.

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